Education


1997


Bachelor of Fine Arts, Nova Scotia College of Art and Design,
Halifax, Nova Scotia, Canada


1996


Cooper Union, New York, U.S.A.


1994


Alberta College of Art, Calgary, Canada


Solo Exhibitions


2015


Variance, Dutton, NY, NY


Mazed, Dutton, NY, NY


2014


People, Places and Things, Dan Rushton and Laura Ledbetter, Grizzly Grizzly Gallery, Philadelphia, PA


2010


Planted, Champion Contemporary, Austin, TX


2007


Lonelier Than God, Moti Hasson Gallery, New York, NY


2006


Paintings, Byrne and Bruder, Dallas, TX


1998


Paintings, Art Resources Transfer, New York, NY


Paintings, Anna Leonowans Gallery, Halifax, Canada


Group Exhibitions


2015


Colors, Louis B James Gallery, NY, NY


How “Bout Now, curated by Dan Kopp, Temporary Storage, Brooklyn, NY


2014


Zone Galley, Inaugural Exhibition, Milan, Italy


2013


Saturation Point, Dutton, New York, NY


2010


Interrupted Landscapes, Champion Contemporary, Austin, TX


2007


The Magical Mundane, curated by Dan Kopp, Bucketrider, Chicago,
IL


2006


I woke up in a strange place…, curated by Daria Brit Shapiro &
Tairone Bastien, Moti Hasson Gallery, New York, NY


2005


New York Metro, Clarion University of Pennsylvania, Clarion, PA


Momenta Benefit, Momenta Gallery, Brooklyn, NY


Painting Show, Platform Gallery, Seattle, WA


2004


Emerging Artist Exhibition, Here Arts Gallery, New York, NY


2003


Visual Aids Postcard Fundraiser, Sperone Westwater, New York, NY


1998


Monitor Goo, Plug In Gallery, Winnipeg, Manitoba, Canada


Dan Rushton & Dell Sala, The Palace, London, Ontario, Canada


1997


Gramercy Art South, National Arts Club, New York, NY


1996


Gramercy Contemporary Art Fair, Gramercy Park Hotel, New York, NY


2005


ArtReview 25: Emerging US Artists, Phillips de Pury & Company, New York, NY


Bibliography



“Fashion’s Muse: New York Artists interact” Patron Magazine. August, September, 2014, Cover, pg. 84-85


“Hacking the Plotter.” Modern Painters. October 2013, pg . 34


“ArtReview Top 25 Emerging Artists.” ArtReview Magazine. March, 2005, pg. 124